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Old Man Jack’s Love


“She’s the most beautiful thing I had ever seen,” said Old Man Jack in a trembling voice and with very wet eyes.

On March 3, 2003.  Truly.

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He was referring to the F4U Corsair.  I had taken him to the Chino Planes of Fame Museum in Chino, CA.  The WWII aircraft there – all of them – fly.

That’s right.  They get up in the air.

Planes that were engineered with a minimal lifespan as they were meant for combat were still spinning their props for the men who flew them – or worked on them.

Old Man Jack was one of them.

Do you know what these beautiful planes look like?  What they may have sounded like to Old Man Jack 70 years ago?  Ever see one fly? A vid I took at the Planes of Fame Airshow:

In case you haven’t figured it out, his Corsair is “on the tail” of a famed Zero of the Imperial Japanese Navy in this mock dogfight.  I filmed it almost ten years ago at an air show there at Chino Planes of Fame.

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Old Man Jack was an “AMM 1/C” during WWII, or “Aviation Machinist Mate First Class”.  He could have re-upped after the war and been promoted to Chief Petty Officer but like Mrs. Johnson, Carol would have none of that.

I am not positively sure as Old Man Jack would only give tidbits here and there but he was responsible for the aircraft.  Before flight – and while remembering this was at the front lines on “those stinkin’ islands” – he would get into the cockpit and make sure all essential bells and whistles worked after his crew worked on it all night.  I also believe he was to pilot one on occasion to maintain his certs.  Very simplistically said on my part.

National Archives 127-N-55431
US Navy ground crew servicing a Corsair on what appears to be Guadalcanal – where Old Man Jack was.  National Archives 127-N-55431

The pilot was headed off into harm’s way.  The pilot’s life depended on Jack and his crew.  It’s airworthiness.

But one thing is for certain – Old Man Jack said many times “there just weren’t enough spare parts so we had to make do.”

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But back to the story…

Our friendship had begun to solidify by then…  I had mentioned to him that I was a member of the museum and that he wouldn’t have to worry about me paying for his entry.  But that wasn’t why he hesitated.  You will see why.  And I found out later myself why he was so hesitant.

Back then, the museum’s WWII hangars were divided into the two main theaters of operation: the European and the Pacific – where Old Man Jack was stationed during the thick of things.

We meandered through the European Theater hangar.  He recognized them right away.  The P-51.  The P-47.  Others.

He had brought along his “walking chair”; it was light and when folded up, it was a walking aid.  If you press down on it a certain way, it would spread out into a little chair.  Well, he was doing good…and I was happy.

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To get to the Pacific Theater hangar, you would leave the European Theater hangar and mosey across a tarmac.

Chino Planes of Fame and "X" marks the spot.
Chino Planes of Fame and “X” marks the spot.

It was a hot day.  Old Man Jack was in a t-shirt.  Blue, of course.

We were slowly making it across the tarmac.  I knew a Corsair was in there – pretty as the day she rolled off the assembly line.  As the hangar door was cracked open, you could see the wing spar.

Then Old Man Jack stopped.  At the white “X” marked in the map above.  Dead in his tracks.

He propped open his chair.

He sat down.

I was wondering if he was tired.  We were out in the sun.  Why’d he stop there?

I walked back to him.  His hands that still firmly shook your hands were on his knees.  His head was bowed down.

Then I saw it.

His shoulders were shuddering a bit at first, then began to bob up and down.

The man who had a barrel chest…the man who worked on these planes as a young man whose bushy eyebrows had turned white with age …was crying.

Deeply.  No sounds.  He was holding it in…

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I walked away.

The plumbing in my eyes broke too.

I think he cried quietly for about a couple of minutes.  Out there on the tarmac.  In the sun.

Old Man Jack then straightened up.  He wiped his eyes.

“Young man, earn your pay.  Give me your hand and help me up.”

Old Man Jack was back.

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We walked over to her – Jack’s beloved Corsair.  His eyes were still wet.

I remember him saying very quietly while trying very hard to hold back his now visible anguish, “I knew a lot of young boys who flew them,” his voice cracking with 70 years of nightmares tormenting him.  “Some of them just didn’t come back.  I could never stop thinking, ‘Did a Jap get him… or was it me?'”

Nothing more need be said.

A very, VERY proud Jack Garrett, AMM 1/C showing off his barrel chest as best he could.
A very, VERY proud Jack Garrett, AMM 1/C showing off his barrel chest as best he could.

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That’s when he told me she was the most beautiful girl in the sky.  But like any woman, she was a pain to keep happy.

“We didn’t wear shirts because it was so _ucking hot; I’d burn my stomach and chest on that hot metal.”  He pointed at the wing spar (the bottom of the “gull wing”) and said, “We would always slip on those damn spars.  You never had good footing.”

He then recollected other things.  He told me “We’d stick a shotgun shell into a breech under the cowling and fire it off to turn over the engine.”  As I surely didn’t know much better back then, I asked why.  “Because the dumb son-of-a-bitch who designed the plane didn’t put in a starter.  That’s why.”  Oh, boy (with a smile).  “And if she didn’t turn over, you only had a couple more tries at it before you had to let it cool off.”

Old Man Jack then smiled a bit when he admitted he fell off the wing while taxiing once.  “Like a dumb smart ass kid, I stood up on the wing when the pilot was taxiing.  You were taught to lay on the wing to point which way to go but (the wing’s surface) was too damn hot so I stood up.  We hit a bump and off I came.”  (Note: the Corsair’s nose was long to accommodate the powerful engine.  It was so long that it obscured the pilot’s forward view during taxi and landing.)

One more thing he said.  “There was nothing better than seeing the flight come back after a patrol at wave top, do victory rolls then peel off.”  He was a bit choked up.

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When we got home, he said to me, “I didn’t know how I would react if I saw something and that’s why I put you off in going.  But I feel good about it now.  Thank you, young man.”

He gave me that solid Jack Garrett handshake…and a hug.

I think he enjoyed the visit…and no better way to end my first six months of blogging.

“Old Man Jack-ism” #4


“Koji, don’t let anyone tell you different.  War makes good boys do crazy things.”

That was the first time Old Man Jack shared something with me about the war in a voice of unfeigned remorse.  In turn, it was one of my first journeys in his time machine in which he allowed me to ride along.

Front row seats.  Free of charge.

It was in 2002 to the best of my recollection.  It was just before my littlest firecracker was born.

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KA-BAR.  If you are a World War II US Marine who served on “those stinkin’ islands”, there is no explanation necessary.

My friend’s KA-BAR. He stated it was his grandfather’s who had served in the Pacific Theater. He allowed me to hold it. Its mass will stun you.

A KA-BAR was a Marine’s most prized personal possession.  It was always at their side.

They opened their C-rations with it.  Dug foxholes with it.  Chopped coconut logs with it.  Hammered nails with it.  Indestructible.

Most importantly, for killing.  Designed for slashing and stabbing.  Desperate hand-to-hand combat.  To the death.

The KA-BAR served them so well that many Marines who survived passed it down to their children.

Old Man Jack said several times, “I’ll tell ya – us white caps always tussled with the Marines ‘cuz they thought they were better than us…but there wasn’t anyone better at protecting your sorry asses with theirs when it came time.”

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(If you are prone to nausea, you should not continue to read this Old Man Jack story.)

I did not know this free ride was coming.  It was unexpected and spontaneous.  I recall that clearly.

That afternoon, he began describing something vile he witnessed during the war.  Today, I fully realize he was trying to vomit demons out from his soul.

He needed to.

Jack visiting at my house on Sept. 23, 2006. He would fall gravely ill about a year later.

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He didn’t tell me what island; that would be his pattern up until his death.  If he was talking about something a young man should never have witnessed, he would never say what island he was on.  However, my educated guess as to the year would be late 1943 or early 1944.

Old Man Jack said to the best of my recollection that “…the Japs broke through our perimeter”.

“When the fighting broke out, most of us (the ground crew servicing Marine Corsairs) dove straight into the nearest foxholes.  I only had a .45 and I kept my head down except for a dumb ass split second or two…”  He tried to mimic what he did by extending his neck a bit and flicking his head left and right.

“All hell was breaking loose.  Men were screaming all over the place.  You could tell which rounds were from us and which ones were theirs.”

It was all over in a couple of minutes, Jack said.  “I did hear moaning then a CRACK from a .45 or a M1…”  A Marine apparently dispensed a wounded enemy soldier.

“I got up.  There was still a little yelling going on.  And I ain’t ashamed to say I started shaking real bad.  Then I see this kid (i.e., a Marine) dragging this wounded Jap; he was hit pretty bad but I could tell he was still alive.  The Marine grabbed his KA-BAR and sliced open that son-of-a-bitch’s mouth.  I could see the Jap was flinching.  The kid was trying to gouge out gold (from his teeth).”

Another Marine came over and shot the Jap dead with his .45.  The kid yelled, ‘Hey!  Why’d you have to go do that for?!’

The other Marine just looked at him for a split second and walked away.  I stopped looking.”

Jack then just slowly shook his head.

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I remember Old Man Jack was looking down when he finished.  He had on a grey sweatshirt as winter was coming on.

Front row seats in his time machine of nightmares.  He just forgot to mention it was on his roller coaster he kept hidden inside.

He had other free tickets for me in the years that followed.

“There’s No Toilet Paper in the Jungle of Burma”


Dad and I waiting to go in to watch MIS

Dad broke his silence.

“War is no good,” he said as we left the small community movie theater near his assisted living home today; we had just watched the limited release documentary “MIS: Human Secret Weapon”.  It was about his highly classified World War II US Army unit.  He had silently watched and with a ghostly stillness.  But I saw him wipe his eyes twice after gently lifting his glasses.  Others openly wept…but I had never, ever seen him shed a tear before today.

I was ignorant.  Combat isn’t necessary for the ugliness of war to be buried in a person’s mind.  The documentary made it clear that it is also easily dug out.  All one needs to do is scratch.

Official US Army document certifying his Military Intelligence Service days.

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The documentary reveals the conflicted state of mind of the then young Japanese-Americans who made up the US Army’s Military Intelligence Service (MIS).  About 3,000 of them – including two of my uncles – secretly and faithfully served the red, white and blue, hastening the Japanese surrender on board the USS Missouri.

Another 3,000 served during the Occupation of Japan.  My dad was one and worked out of General Eichelberger’s US 8th Army’s GHQ in Yokohama.  That’s when he was able to journey to Hiroshima and see his mother for the first time in ten years…and when a hungry Masako first relished the flavor of Spam.

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Grant Ichikawa, MIS, CGM and me. 2010

One Nisei veteran interviewed was Grant Ichikawa.  He was gracious enough to not only greet me and my family in 2010 near his home in Rosslyn, VA, he also secretly treated us to lunch.  Pun intended.  He had lost his wife Millie just months before.  She was an even rarer female member of the MIS as well.

He and Terry Shima (also interviewed in the documentary) gave me the jump start in finding out about Dad’s involvement in the MIS.  During that all too brief get together, Grant did touch on what he did on the battlefront in a GI uniform.  He also said it “got dicey”.

In this documentary, you learn of one such experience.  He was told there were Japanese soldiers who had agreed to surrender.  Grant said he was the point man.  They proceeded to the rendezvous point where he met the Japanese commander; they were in the middle of an open field.

It turns out there were 200 to 250 of them; all their weapons were in good working order he says in the documentary.  Grant suddenly realized – out in the middle of this field – that these Japanese soldiers were “toukoutai”, or “suicide corps”.  Grant just as quickly and with great consternation realized there were only ten of them… GI’s, that is, armed only with rifles.  I’m sure Grant picked his words wisely.  He is still alive.

“Dicey” was a definite understatement.

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In a lighter moment, Ken Akune described how they were searching a Japanese soldier that had surrendered in the jungle of Burma.  They came across one of the American propaganda leaflets promising safe passage for those Japanese soldiers that surrendered.  It was neatly folded in a pocket.

Surrender Propaganda Written by MIS Nisei.

Akune asked the Japanese soldier if he believed what the leaflet promised since the MIS Nisei wrote it.  The Japanese soldier said no but that it made for good toilet paper.  “There was no toilet paper in the jungle of Burma,” said the prisoner.

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Thomas Tsubota broke down at the end of his interview.  Many did.

Tsubota was one of the top secret MIS members of Merrill’s Marauders.

They had just stumbled across ten Japanese soldiers in a small jungle clearing, he says.  “Boom,” he said, in a split second they killed them all.  He described how his commander, Colonel Beach, called him over to inspect a photo album taken off one of the now dead Japanese soldiers

They looked through the album.  Tsubota told Col. Beach there was nothing of military importance in it but as they came upon the last page of the album, there was a picture of a mother and a daughter.

Tsubota said Colonel Beach’s eyes got red, filled with tears and he said, “Thank you, Tom.”

While crying, Tsubota ended the interview by saying this is why he isn’t enthusiastic about talking about the war.  Too painful.  He doesn’t want to think about that sad moment.  Tsubota is 96 years old.  I thought Dad was old.

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The documentary intensely yet humanely describes the internal turmoil within these young American GIs of Japanese descent.  Quite a few had brothers who were left in Japan when war broke out and were killed as Japanese soldiers.  Deep down, many carried guilt that their own secret actions led to the deaths of their own brothers.  My Dad’s youngest brother – my Uncle Suetaro – was one of those casualties.

But these 3,000 young American boys of Japanese heritage did their job as did millions of other young American boys…but in secret.  They translated diaries covered with blood or offered cigarettes to Japanese prisoners to extract military intelligence while battles were raging.

They endured years of discrimination and intimidation to boot – both from GI’s fighting alongside them as well as back home.  A barber in Chicago wouldn’t cut Dad’s hair because of his race – and he was wearing his perfectly creased US Army uniform with sergeant’s stripes, sleeve highlighted by the proud shoulder patch of the US 8th Army.

The secrecy was officially lifted in 1972 by Executive Order 11652.
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Uncle Suetaro on right.

Just the two of us, I thought, were going to see this movie and that this may help Dad slow down his growing dementia.

I was wrong.

His quiet tears and with his exiting comment, I am sure Uncle Suetaro was there, too, in Dad’s heart – as if it was 1937 in Hiroshima when he last saw his brother alive.

Over the past two years, I’ve asked, “Dad, tell me about what you worked on in the MIS.  What was the one thing you remember the most?  A picture?  A diary?”  Each time, the answer was vague or “I don’t know.”  I chalked it up to senility.

He doesn’t want to talk about it…just like Tsubota painfully recalling Col. Beach and the photo of a mother and a daughter taken from a Japanese soldier they had just killed.

Ugly recollections from war wanting to be masked need not come from battlefields, bullets or bombs.