Monthly Archives: January 2016

Army, Marines, Military, World War II

Combat! – Part 3

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While my screenshot is of poor quality, both Hanley and Saunders are in their standard issue steel helmets and while obscured, both are carrying M-1 Garand rifles in this first episode.

The Weapons, Equipment and Explosions

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A publicity still of Sgt. Saunders from Episode 1, “A Day in June”, holding a Garand M-1.

People who watched Combat! from the get-go pretty much think of Sgt. Saunders in their mind when they see a Tommy gun and Lt. Hanley when they see a M-1  carbine, yes?  The power of media herewith.

But the truth of the matter is both Saunders and Hanley started out with the 30.06 firing M-1 Garand rifle as they hit the beach at Omaha Beach on D-Day in the first episode which began shooting on June 2, 1962.

And they both had standard issue steel helmets.

Sgt. Saunders, His Thompson Machine Gun and Camo Helmet

As proof Sgt. Saunders “went over the side” with a M-1 Garand in Episode 1’s D-Day, here he is trying to board his landing craft #PA-142 (The landing craft PA-142 does show up in real D-Day footage.) with it slung over his shoulder.  He also has on a standard issue two-piece steel helmet:

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My screenshot of Saunders “going over the side” on D-Day in Episode 1, complete with his 30.06 firing M-1 Garand and standard issue helmet.

He carries this weapon throughout the first episode…but never fires a shot.

In Episode 2, no one fires a shot.

However, his Thompson and his distinctive camo helmet shows up ever so quietly and out of sequence series-wise in Episode 3 below:

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Saunder’s Thompson’s muzzle is the first to make its appearance as he nudges the door open with it, followed by his trademark camo helmet.

However, before he fires a shot, he is captured by the Nazis.  He loses his Thompson and camo helmet as he is taken prisoner.

I say it was out of sequence as in Episode 4, Sgt. Saunders reverts back to his standard issue helmet but is also unusually equipped with a M-1 carbine.  This also is Lt. Hanley’s first episode with his trademark M-1 carbine.  However, Sgt. Saunders never fires a shot nor does Lt. Hanley.

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My screenshot of Sgt. Saunders holding a M-1 carbine in Episode 4. He still hasn’t fired a shot on this TV series.

So when does Saunders get to shoot?  Read on…

In Episode 5, Saunders’ trademark camo helmet makes its permanent re-appearance for the rest of the show.  But how did he become the one and only to wear such a distinctive helmet?

Because to make my mom feel more overcome with his macho? Nope… It was because he… complained!  Sorry to blow another iconic image you may have had of your childhood idol.  According to statements made by Morrow and others per various websites and interviews, Morrow had begun to complain that the weight of the standard issue steel helmet was compressing his vertebrae on those week long shoots.  Therefore, it was replaced with a custom made, lighter fiberglass one, designed by the award winning prop crew.  The helmet’s camo covering – which is bona fide US Army paratrooper parachute material that was used in Europe – became necessary to hide the fact the helmet was fiberglass.

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Actual combat photo of US Army paratroopers with camo covers on helment. At their feet is a dead German.

The US Army paratrooper camo patterns, colors and construction differed from the Marine versions (sometimes nicknamed “frogskin”) for which it has frequently been mistaken.

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The iconic WWII photo of a US Marine on Saipan. Notice his camo cover and a M-1 slung over his shoulder sans bayonet mount.

In a comment made by one of the directors, he jokingly said the oddball helmet covering made it easier for the cameramen to follow him.  One other bit of trivia on his helmet: one drawback was that it was so light, it would fall off when he would “hit the dirt” or bump it against an object.

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The Tommy Gun

Like any other American boy, I wanted a Tommy gun so bad so that I could pretend to be like Sgt. Saunders.  Many other boys wanted it, too!  But alas, dad couldn’t afford one.

But I did get a cap gun, holster and cowboy hat when I was about four, believing they belonged to Roy Rogers:

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Me. Ever see a cowboy wearing flip-flops?

As for his Thompson, which fired .45 caliber rounds, here is a real one in full auto in case you’re new to this:

But back to the TV Thompson and I won’t go into discussions of what model it was because there were apparently several in use… including a wooden one.

Yes, a wooden one.  Sorry to burst your bubble once again, guys.

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After Morrow lugged a real one around for a couple of weeks, he realized why Jason turned it down.  For argument’s sake, a real one weighed roughly about 10-1/2 pounds empty.  Can you imagine what a real soldier or Marine thought when he would lug it around while actually getting shot at and likely suffering from dysentery?  The prop men therefore fashioned one out of wood for Morrow.

Saunders would carry the wooden mock up when walking or running during a shoot.  Weapons experts can spot it a mile away.  He would then switch to the real Thompson for a firefight.

However, the set version of Saunders’ “real” Tommy gun was not without problems as it was modified to shoot blanks.  According to various sources, the barrel was choked down¹ for set use.  The weapons guys thought by choking it down, the spent cartridges would eject better.  However, they were wrong.  For you Combat! buffs, do you recollect Saunders firing the Thompson in long bursts?  I don’t think you will.  Saunders only fires it in 2-3-4 round bursts as it would jam up³.  He had a nickname for it: Jammomatic.  In some firefight scenes, you can see Saunders trying to unjam it.  Cut!

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The “real” Thompson. Source unknown.

So…to answer the question when Sgt. Saunders finally get to shoot anything?²  Indeed, it was his trademark Thompson in Episode 5.  He and Hanley locate a sniper while under fire and he lets lose two single shots.  Not a spray, mind you.  Hanley also fires his M-1 carbine for the first time as well.

Lastly, many collectors years ago were seeking to find this Thompson that Sgt. Saunders made famous.  While some stories vary, the most common answer is that the several Thompson’s that were used in the series were rented from Stembridge Rentals, a common source for Hollywood at that time.  As a result, this famous prop is likely lost for all time.

Rick Jason and His M-1 Carbine

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Publicity still of Lt. Hanley. Just my opinion but I’ve not seen a bayonet stud (shown here) on a WWII era M-1 carbine.

As mentioned, the Thompson was originally meant for Lt. Hanley.  When they first handed him the Thompson, he said no way.  “Get me something lighter,” he said.  You see, he knew about guns being a hunter; he even did his own reloads.  And that’s how Saunders eventually got the Thompson – it was basically a hand-me down.

His M-1 carbine was also choked down for use with blanks.  However, with him being the only one of the regulars being an avid shooter, he looked the most natural shouldering a weapon.  He once wrote that the real M-1 carbine’s round wouldn’t kill a “sick mouse”, implying it had no stopping power.  However, during the Battle for Okinawa in 1945, websites report that 75% of the Japanese casualties were inflicted by M-1 carbine rounds.

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None of the M-1 carbines in this US Marine Corps photo show a bayonet stud as seen on Hanley’s M-1 carbine but their style of helmet camouflage material can be clearly seen.

For those of you who have not seen one of these fire, here is a video.  As there is a bayonet stud, it may not be true WWII vintage but the message is clear.  It can take down a sick mouse with ease.  While watching this, imagine you are 18 years old on a hostile battlefield:

So what happened to Lt. Hanley’s actual M-1 carbine?

According to a letter he wrote, Rick Jason stated that against the studio’s direction, he simply took it home.  While it was registered to the Culver City Police Department, he told the prop man that after lugging it around on the sets for five years, it was his.  Period.  So he stole it… I mean, took it home on a permanent basis.

After taking it home, he wrote he poured lead into the barrel to ensure it cannot be loaded and then accidentally fired.  He then left it in his cabinet for about four years.

Shortly thereafter, the well known comedian Charlie Callas stopped by Jason’s home and quickly spotted the M-1.  Being a gun collector, Callas immediately figured out it was the one Jason had made famous on Combat!  After a few libations around the pool, Jason gave it to Callas as it was “taking up space where a nice rifle could occupy”.  Before Jason passed away, he indicated that Callas still had it in his collection.  However, Callas passed away in 2011; I haven’t come across any mention of “Lt. Hanley’s M-1” since then.

Kabooms and Bullet Holes

By all accounts, Combat! was blessed with an excellent special effects team, headed up by A. D. Flowers.  Flowers would eventually win an Oscar for his work on Tora! Tora! Tora! years later.

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While many “explosions” in movies today are computer generated, the explosions and bullet impacts on walls and such filmed on “Combat!” were actual controlled explosions.  Vic Morrow always said that the actors felt very secure and safe in spite of all the explosive commotion due to Flowers’ exacting expertise.

While far from an actual barrage (I cannot imagine the horror of being at the receiving end of real ones.), the special effects team and cameramen did a spectacular job simulating them for TV.  Here’s an example:

To accomplish this, the special effects team would actually exactingly dig holes, plant the explosives called “pots”, then run wires.  When you hit the switch, the explosives would go off.  These pots – made out of iron at that time – would be narrow at the bottom and wide at the top.  This “shaped” the “explosion” up, protecting the actor.  A portion of the pot would extend above the ground then was covered by peat moss which could not be made out in the movie footage.  Actors had very specific routes to run but safety was the rule.

I cannot be certain but for the above footage, Flowers said in an interview that 20 special effects guys were used at a cost of $25,000 for two days and 300,000 feet of electrical wire was run.  He also said that in a three month time, they blew up 1,500 bags worth of peat moss.

Amazing talent, I say.

“Squibs” were used to mimic bullet impacts (above).  For wood, they actually drilled a hole into the wood for every scripted bullet hit then inserted a small charge connected by wire to a control switch.  Extra care had to exercised to ensure the safety of the actors and crew as at times, the charge would be stuffed with balsa wood pieces and powder.  In the same three month period mentioned directly above, 15,000 bullet hits were used.  Incredible.  Dust pellets fired by air guns were used to mimic bullet hits on masonry.

What happened to the regulars, final bits of trivia and a conclusion in Part 4.

Part 1 is here.

Part 2 is here.

Part 4 is here.

NOTES:

  1. A choked barrel is one in which there’s a reduction in the diameter of the bore near the muzzle.
  2. In an episode a short time later, he is re-united with a soldier he fought alongside with him on D-Day.  In this episode, the studio inserted other footage they had taken for the first episode but had not used.  In this sequence, Saunders does fire his M-1 Garand on the beach.
  3. In actual combat, the Thompson was usually fired in short bursts to help improve accuracy as well due to something called “creep”, encountered when firing long bursts.  The recoil would cause the barrel to creep up and to the right if you were right-handed.
Army, Military, World War II

Combat! – Part 2

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A Quick Review

Combat! ran for five strong seasons, a total of 152 episodes, all of  which  aired on Tuesday nights from 7:30 pm to 8:30 pm on ABC.  Each episode ran for a maximum of 52 minutes and ran against shows like “Gunsmoke” or the “Red Skelton Show”.  The first four seasons were in B&W with the fifth and final season in color (1967).  Perhaps there is one prominent reason for this show’s continued success at that time.  Vic Morrow had been heard to proudly boast that the story lines are not about men AT war, but about men IN war.  I tend to agree.

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Filmed at the famed MGM backlot.

When you think about WWII historically, the Germans surrendered to the Allied Forces just 11 months after D-Day; yet, this series ran for five years.  Sure was a long war.  According to various trivia sources, Saunders was wounded 40 times, Kirby 37 times and Hanley 36 times.  (Audie Murphy, America’s most decorated military man, was officially wounded three times, the last time the day before he was bestowed the Medal of Honor.).

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My screenshot of a tired squad trudging through mud, coming in for a short rest. Filmed at a winery in Cucamonga, CA.

Filming and Locations

Filming was arduous.  They shot six full days – 14 hours a day – for a week’s one hour episode.  When they were shooting outside, cloud cover may have come in after they started shooting a scene in sunlight, necessitating a re-shoot from the beginning.  There was a “no shave” rule in effect once shooting started.  Once in awhile, even though the “combat” action for a TV episode was over in a day, it took a week to film.  The beard growth was noticeable, especially on Caje.  In the initial season, the actors reminisced that for some time, they didn’t even have chairs to sit on in between takes.  Vic Morrow put an end to that by “striking” until chairs were provided.

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Saunders, Caje and Kirby at left in culvert. Taken at Franklin Canyon. Source unknown.

While filming for a couple of episodes took place in Loire, France, most were shot on location at the famous MGM Hollywood’s historic backlots or out in southern California’s less traveled areas like Cucamonga or Thousand Oaks (now pretty much Westlake Village and covered with condos).  In addition, a lot of filming over all five seasons took place in Franklin Canyon, smack dab in in the hills between Sunset Blvd. in Hollywood and Ventura Blvd. in Studio City.  Today, it is still accessible by the public but some of it is now a nature preserve.  As a bit of trivia, it is rumored you can still find spent cartridges from some of the firefights.  Many of the landmarks seen in the episodes also remain, like the reservoirs and waterways, culverts, prominent trees and a short overpass.

One interesting thing in some of the overview shots taken of the SoCal terrain was that you could clearly see the haze due to the heavy smog of that time.  In addition, if your hearing is good and you know which scenes to watch, you can hear the sound of jets roaring overhead.  The Nazis were far advanced in their jet technology, you know. 🙂

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Hanley, Saunders and Little John overrunning a destroyed German machine gun nest. Due to the background terrain, my guess is this was shot somewhere in Thousand Oaks (now Westlake Village). Source unknown.

One other location was in snow covered Squaw Valley for a couple of rare winter episodes, one starring Mickey Rooney in “Silver Service”.  It was possibly produced to reflect on the costly Battle of the Bulge although the Combat! episodes never made it out of France.  There was so much footage taken over five tough days that they were used for a couple of episodes.  In the other winter setting episode which utilized the Squaw Valley footage (“Mountain Man”), Caje (Pierre Jalbert) shows off his Olympic skill by skiing down the mountain to escape from Nazis (below).  In true life, he broke his leg as a teen just before the Olympics, ending his chance to ski for Canada.  It is reported he had a very good chance for a medal.

By the way, the “Nazi” chasing Caje down the hill was Bob Beattie, the coach for the US Olympic ski team at that time.

In a funny moment and during the planning stages to show off his skiing abilities, Pierre quipped, “There are no mountains in Normandy, pal.”

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Innovative Movie Camera Work

Much of the true combat footage taken during WWII by the Marines were with smaller movie cameras being hand-held under fire by brave Marine camera men; many were killed.  It is reported the production crew had wanted to portray the lives of the soldier while in combat and to honor these WWII cameramen by imitating the camera “unsteadiness” being hand-held…with nervous courage.

In this pursuit, the technical achievement by the film crews of Combat! was the innovation and perfection of hand-held cinematography with movie film.  Such mastery was incredible for an art form that just started a few short years earlier. They perfected the usage of an Arriflex-35BL movie camera being hand held by a camera man following the action on foot, yielding the “shaky” look.  While the camera is mounted on a very large cinematography tripod head here, the camera and film were similar to this:

In essence, this was the beginning of the “Hero” video camera so commonly in use today 50 years later by people like yourselves.    In the end, the footage for Combat! honored these brave camera WWII men and added to the realism to the TV screen with their up close and “shaky” look.

One incredibly imaginative bit of hand-held footage was in “Hills Are For Heroes”, a two-part story and masterpiece directed by Vic Morrow himself.  In a critical “death scene”, instead of simply filming a key actor crumpling onto the dirt battlefield, they tried something unheard of in the early 1960’s: they secured a 35mm Arriflex hand-held movie camera to the cameraman’s head.  These cameras were not the light, compact digital ones we use today; these were bulky, heavy and had 35mm film spools as well.  They used something like a huge, thick rubber band and secured the Arriflex to the cameraman’s head.  Then, he stood where actor was shot, fell to the ground while looking through the eye piece then rolling down the hill, filming all the time.  At the end of the sequence, the now “dead” soldier (cameraman) continued to film and perfectly captured the coming of his now distraught buddy trying to come to his aid.  Incidentally, the cameraman got a cut over his eye for his efforts.

The innovative footage can be seen here, a clip from “Hills Are For Heroes”.  It was artistically done in slo-mo:

The Guest Stars

As ABC was really struggling at this time, Combat! was a shot in their arm being in the “Top Ten” shows.  Due to its popularity, movie and TV stars of the day clamored to get a part in Combat!  According to an interview of Pierre Jalbert (Caje) after the show went off the air, he said, “Who wouldn’t want to play soldier for the week?”  Some were least expected; some noted folks had cameos like Warren Spahn, the Cy Young Award winning pitcher (below).  He played a non-speaking role as a German soldier in Season 2, Episode 8.  By the way, he was a decorated WWII soldier having earned a Purple Heart.  He loved the show and was a fan.

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Warren Spahn on the set of “Combat!” AP photo.

Indeed, the list of famous guest stars was long.  Some guest starred more than once.  They included:

  1. Robert Duvall
  2. Leonard Nimoy (His role was as a translator in both episodes.)
  3. Eddie Albert
  4. James Whitmore (Played a Nazi officer while killing three GI’s, disguised as a Catholic father.)
  5. James Coburn
  6. Charles Bronson (He played a demolition expert confronted with either not doing his duty or blowing up priceless marble statues and artwork.)
  7. Sal Mineo
  8. Lee Marvin
  9. Neville Brand (I understand he was awarded the Silver Star, a Purple Heart and the Combat Infantry Badge in Europe during WWII.)
  10. Ted Knight
  11. Frankie Avalon
  12. Mickey Rooney
  13. Roddy McDowell
  14. Tom Skeritt
  15. Fernando Lamas
  16. Dennis Weaver

…and the list goes on.  Not to be a spoiler, but some of these famous guest stars are “killed” in their episodes.

Some screenshots of the stars:

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Leonard Nimoy appeared in two episodes. In both, he served as a translator for Saunders.
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Sal Mineo, also guest starred twice. Appears to be a publicity still.
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Frankie Avalon and “Caje” off camera in a publicity still.
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Lee Marvin and “Saunders”. Source unknown.
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Telly Savalas and “Hanley”, where Savalas plays a Greek officer. Source unknown.
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Charles Bronson.  He portrayed an explosives expert torn between doing his job or saving priceless marble statues being safeguarded by a convent.  Source unknown.
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My screenshot of Eddie Albert wearing his WWI Doughboy uniform thinking he captured a Nazi (Saunders). It was an attempt to educate the viewers on what may happen to a man who was in combat (PTSD).
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Mickey Rooney in the episode “Silver Service”. One thing he tries to portray is the pain of frostbite, endured by many on the front during the frigid winter. The lady is another star, Claudine Longet.
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James Coburn filming at the MGM backlot. He played a Nazi “infiltrator” in this episode.
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As a rare female guest star, Antoinette Bower portrays a young French girl driven mad by war. Source unknown.

According to a story by Dick Peabody (Little John), he mentioned that some of these stars were there just for the money and exposure while a few were there to enjoy the work and “become one of the gang”.  One of the best, he said, was Fernando Lamas.  He would bring along his beautiful and famous wife, Esther Williams, and they would “recuperate” together from the day’s shooting in their trailer which he brought along.  He said Esther Williams was the ultimate host, providing fine wine and appetizers for the regulars in attendance.  He also mentioned Robert Duvall and Dennis Weaver detached themselves from the regulars and weren’t much fun at all.  Unbelievably, Duvall guest starred in three episodes.

Fascinating trivia about the weapons, episodes and what happened to the regulars in real life come in Part 3.

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Part 1 can be found here.

Part 3 can be found here.

Part 4 and Conclusion can be found here.

 

Army, Military, World War II

Combat! – Part 1

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Back in the very early 1960’s, my dad picked up a used B&W TV set from an appliance store’s outdoor parking lot sale at Atlantic Square in Monterey Park, CA.  It was loaded into the cavernous trunk of his 1955 Ford Victoria coupe, also bought (really) used.  He probably should have spent the money on repairing the car instead of buying that TV.  Anyways, the TV was our first one, dust covered vacuum tubes and all.  At least it turned on.

Well, mom commandeered it.  Don’t ask me why.  After all, she didn’t speak much English at all having come here just a few years earlier.

While I was able to watch The Mouseketeers, Sheriff John and Engineer Bill in the morning, the night belonged to mom.  She decided what to watch.  I don’t recall dad ever saying anything either, but then, he never did.  (ps Sheriff John read off my name during his show on my birthday.  He even pronounced it correctly.)

I remember some of “her” shows.

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“Sea Hunt”.  She loved seeing Lloyd Bridges in his swimming trunks.  (He did enlist in the Coast Guard when WWII started.)

“Rawhide”.

“The Ed Sullivan Show”.

“Have Gun – Will Travel”.

“The Lucy Show”… although I can’t figure out for the life of me how she could have laughed at the lines.  She couldn’t have possibly understood the English.  American humor is so different from that of Japan’s, too.  I guess she just laughed at her physical comedy and wacky faces.  (Another ps: I watched re-runs of the Lucy Show when I stayed in Japan for two years as a young adult.  You will be shocked to learn the lines were radically changed and replaced with dubbed Japanese which would be funny in their culture.)

Near the top of her list was the “Dean Martin Show”.  Of course, it was because of Dean Martin.  While he didn’t get into swimming trunks like Lloyd Bridges, man, she thought he was man’s equivalent of Marilyn Monroe.

But sadly for dad, the show at the top of mom’s list was…  Wait for it…  Combat!

“Combat!”?  How could that be?  How could she possibly want to watch a TV series based on a war Japan just brutally lost 15 short years earlier?  Her city of Tokyo was burned to the ground in 1945 by us Americans and she was hungry all the time.   Even grandma used to call the men of the US military occupying Japan as the “invaders” or “long legs”.  Dad, a Japanese-American, was one of the invaders but definitely sans the long legs.

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Dad on the left in his summer US 8th Army uniform with two of my cousins in Hiroshima (1948). By the way, dad had one more stripe than Sgt. Saunders.

Did she know what “Little John, take the point” or “Kirby, set up your BAR over there to provide cover” meant?  Of course not.

Well, if you haven’t guessed yet as to why she loved to watch Combat!…  it was because of…  Sgt. Saunders.

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Sgt. “Chip” Saunders.  He was played by Vic Morrow.  He outdid Dean Martin and Lloyd Bridges – and my dad – by far in her epitome of manliness department.  Hell, she couldn’t even pronounce his TV name correctly: SAN-DAZU is how she pronounced it with her Japanese pronunciation.  All she saw was testosterone.  Machismo.

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Sgt. Chip Saunders. Source unknown.

Even though I was young, I vaguely remember I felt kind of odd towards dad as every time we got together with her “Nisei” lady friends, mom would rant and rave of Saunders – all in Japanese – with dad next to her.  “Daddy kara chigatte San-dazu-san wa otokopokutte kakko ii!” or translated, “Unlike dad, Saunders is so manly, rugged and handsome.  He’s a man!”  I also recall her scolding at dad every now and then in the house or car to be more “manly”.

Poor dad.

Of course, there was co-star Lt. Gil Hanley, played by Rick Jason.  She noticed him too, of course, but all she felt about him was that he was “cute” like a teen movie star – not a man’s man.

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Lieutenant Hanley on Combat!, played by Rick Jason.  Source unknown.

The other regulars were:

Pvt. William G. Kirby, who started the series with a M-1 Garand but eventually got his wish to man the BAR.  He was well played by Jack Hogan and was always getting yelled at for doing something lame-brain:

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Talkative and excitable PFC Kirby, manning his BAR, was played by Jack Hogan. Source unknown.

PFC Paul “Caje” LeMay was Saunders go-to man on patrol or in a firefight; he was played by Pierre Jalbert.  In the series, he is of Cajun heritage and comes from New Orleans where he spoke French fluently.  In real life, he was a Canadian skiing champ in his teens and was destined to ski in the Olympics.

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PFC Paul “Caje” LeMay. Source unknown.

“Little John” rounded out the long playing cast members.  His TV name was a gag; he towered over everyone else being 6′ 6″ tall.  I don’t know if it was custom made but his standard issue GI helmet fit like a condom as it looked like a tiny beanie on his head.  His real name was Dick Peabody and he wrote a column later in life which I’ll mention later.  He often wrote about the “great times” they had while shooting the episodes.

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“Little John” at left, played by Dick Peabody. To his immediate right are Caje and Kirby.

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The show was unique, even for today.  It did its best to convey the war from the GI Joe’s point of view.  Sure, the “kills” on the set were theatrical nor were the on-set explosions or artillery barrages real but it had a human streak throughout its run on TV.  It tried to convey what war was really like for the suffering civilians or the everyday soldier – well, as best it could do for TV.  Themes focused on fear, bravery, hatred, cowardice, heroism, pain and randomness of death.  Filthiness of being on the front lines without baths, crawling in mud, wading through streams with gear, protecting their buddies, killing with their bayonets and endless but deadly patrols.  As in real life, replacement soldiers were grocery clerks, dancers, used car salesmen, baseball players or worked on telephone lines.

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Induction. Source unknown.

One possible reason the show was able to convey the feelings of the everyday Joe so well was that all of these six regulars had served in the military, some during WWII itself.  “Kirby” and “Little John” served in the US Navy while “Hanley” served in the Army Air Corps (before it broke off from the US Army and became the US Air Force) during WWII.  “Caje” also served as a drill sergeant during WWII in Canada in an air training corps.  “Saunders” served in the US Navy in 1947.  It is unknown if any of them were subjected to combat.

Another bit of uniqueness was not only its early-for-its-time human interest story line but its script.  There really weren’t many spoken lines except for when it counted; just a lot of Army-based jargon otherwise but well researched.  But one funny bit of trivia at this time: one of the most oft said lines was, “Shut up, Kirby.”

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According to various articles, the men totally enjoyed “playing soldier” and getting paid for it. Here, they are actually crossing a stream.

Also adding to its TV land “realism” was that all chatter was in German between Nazi soldiers or in French between the local townspeople; there was no translation or sub-titling.  The Nazi uniforms were so well replicated by the costume folks that some Jews working at MGM’s cafeteria were upset when actors came in from the set wearing very authentic-looking Nazi uniforms (No political statement being made; just fact.)

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A scene from Episode One with “green” Hanley and combat-hardened Saunders on board a transport heading to Omaha Beach on D-Day. Note the chalk denoting “PA 142” on Hanley’s helmet (still a sergeant). They were so marked to indicate which craft the soldier was to board upon “going over the side”.

Its first episode aired on October 2, 1962, set in England a day before D-Day.  In this initial episode, both Saunders and Hanley were sergeants.  By the second episode, Hanley had gotten a battlefield promotion to lieutenant and issued his Garand M-1 Carbine.  Saunders will be issued his trademark Thompson .45 caliber machine gun.  There is a very interesting history behind who got what weapon.  Both of their helmets will change for the subsequent episodes and will become identified with them for the entire series.

Hollywood stars clamoring for guest star roles, filming schedules and behind the scenes trivia to come in Part 2.

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As with all real GI Joes in WWII, the trademark Lucky Strikes… filterless.

 

 

Children, Family

Ironman Results!

28 Comments

Well, wouldn’t you know it?  My son Takeshi took THREE 1st Place awards, including an “Overall” trophy at L.A.’s “Ironman Naturally” competition today.  I’m really proud of him.  He really put his heart and soul into it.  I’m sure he had the jitters as this was his first competition.

Just a pictorial of his accomplishments today.  His “first” 1st Place in Physique Class A:

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His “second” 1st Place in Physique Class B:

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And his Overall 1st Place for Physique Class A/B:

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Some shots from on stage; the guy in the center took the trophy for this mixed class:

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And after the competition – a chance for a photo-op with the champ!

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And yes, for those who are wondering, my physique surpasses that of my son.  I’m just being modest and hiding my ripped body with my Green Bay Packers sweatshirt – which is too big now with all the weight I had lost.

And some of his friends and supporters were there, of course.

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My oldest daughter, son-in-law and granddaughter Emi were also there for the morning half of the competition.  You should have seen the winding line of thousands who were trying to get in when the doors opened!

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The kid done good, yes?!  Congratulations, Takeshi!

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(Oh… A qualification.  All of these photos had to be taken with my cellphone as they disallowed cameras. 😦 )

World War II

Ironman Naturally

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So my oldest son – who is pursuing a doctorate in physical therapy – competed today in his first body building competition here in LA. It was called “Ironman Naturally”.

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I also think Dr. Lynn would have done very well here, too.  She would’ve run away with a trophy!  One of the female contestants:

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My son trained hard for today! Now he looks exactly like I did 40 years ago… LOL. Not.

America, Army, Mail, Marines, Military, Navy, World War II

WWII – Packages from Home

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These Marines were fortunate to have mail call out in the Pacific during WWII. A package from home – with new socks perhaps being the ultimate gift – provided huge emotional uplifts.

During WWII, receiving a package from home was the ultimate morale booster for our boys in uniform.  These packages brought tremendous joy to the men, especially when they were near or at the front, subjected to the brutality and extremes of environments.

Upon experiencing the joy of receiving a parcel, very little could surpass finding the lingering scent of their girl’s perfume on a knitted muffler; candy and gum ranked up there, too.   Socks were also in high demand as socks wore out much more quickly than sweaters or mufflers and dry socks were essential necessities to ward off trench foot.  Indeed, trench foot¹ and frostbite took their toll on our boys in battle more than being wounded by bullets or shrapnel.

While machines produced millions, there were even “knitting parties” where women knitted socks, scarves, vests and “fingerless” mittens.  In fact, Eleanor Roosevelt just months before Pearl Harbor founded a “Knit for Defense” effort in the US.

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But within today’s capsule of electronic bliss, many of us civilians in all walks of life see no difficulty with a family trying to communicate with their loved one who is not at home because he/she is in uniform.

Cell phones.  GPS.  Email.  “Facetime”.  Skype.

Even packages from home are viewed as no big thing anymore by the general public.  They are taken for granted by many civilians because the packages leaving the front porch seem to be riding on a beacon radiating from a soldier’s open palms now – think FedEx.  Perhaps this could be one possible reason why so many Americans seem to feel gifts from home are “no big deal”.  They see our men in uniform as being as close as a laptop.  That is far from reality as are many TV shows.  They still long for home.

One thing hasn’t changed from World War II: the morale-boosting smile that erupted on a soldier’s face when he received a package from home.

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Operation Gratitude

So what got me thinking about these now long-forgotten packages from home that brought so many smiles to GI Joes on a WWII battlefield?

My oldest daughter Robyn spearheaded an effort with family and friends to bring together hundreds of donations to be sent anonymously to our military through the efforts of a non-profit organization called “Operation Gratitude“.  Among many other essentials, there were razors, hand wipes, sunscreen, foot powder, Chapstick and most importantly, letters from students thanking the unknown recipient for their service to our country.  In addition, Robyn purchased thousands of yards of “paracord“.  It had to first be cut in 7.5 foot lengths; then, the open ends have to be sealed with a small flame.  These were then hand braided into survival bracelets – 300 of them.

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My oldest daughter applauding her three siblings on their effort to braid survival bracelets after Thanksgiving Dinner. A total of 300 were eventually made.  Survival bracelets can be quickly unraveled then used for many situations while deployed: bundling, strapping down equipment, securing netting… and in the worst scenario as a tourniquet.

 

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My youngest son Jack the morning before heading off to volunteer for the day at Operation Gratitude. The items were donated by my oldest daughter, family and friends.

 

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Jack and Brooke taping together boxes at Operation Gratitude. Jack kept count of the number of rolls of tape he used. With four rolls used, he taped together about 280 boxes. Photo from http://www.operationgratitude.com.

 

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A volunteer is transferring bags of personal items donated by donors. These were then taken to the “assembly” line where volunteers stuffed Priority Mail boxes with them and other items. Photo from http://www.opeationgratitude.com.

 

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There were HUNDREDS of volunteers this day. It was Operation Gratitude’s first assembly day at their new location in Chatsworth, CA. Photo from http://www.opeationgratitude.com.

Through their volunteers and generous donations from the public, Operation Gratitude has delivered over 1.4 million parcels so far!

These smiles make it all worth it, yes?

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The Journey of a WWII Package

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During WWII, a package sent from home took weeks if not months for a soldier to get it…  Or in the worse possible scenario, the young man would never receive their package from home because they were either killed or missing as this photo below graphically shows.  It would exponentially worsen for the family as they would have likely received the infamous telegrams only to have the battered package marked “DECEASED” left at their doorstep many weeks later:

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All of these packages – many for Christmas of 1944 – were returned as they were undeliverable. All are marked “Deceased” or “Missing”, visible if you enlarge the picture. I cannot imagine how the sender felt having the package being returned. National Archives.

The packages from home would make their way via ship.  For the European Theater of War and before D-Day, a number of supply ships were likely attacked or sunk by U-Boats.  After surviving the voyage and unloading at a European port (permanent or man-made like at Normandy), the packages, along with sacks of mail, would be transferred to trucks.

Europe did have mapped roads making delivery somewhat more certain but the trucks were subject to destruction via enemy air attacks, shelling or road mines.  I understand mail pieces were primarily sorted at battalion headquarters then filtered down to a company or OP level which could be moving in the course of battle.

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These soldiers were lucky to be able to use a jeep to reel off phone line. My thought would be the area was pretty secure. Otherwise, foot soldiers would have to work through the combat zone and quietly lay down then cover up the phone lines. Signal Corps photo.

Making it to the individual soldier was not a sure thing.  The package would have to make its way to the platoon then to the individual soldier’s last known position.  Perhaps there was a makeshift “post office” but if the front was fluid, their location would be a question mark.  Communication with a unit on the move was by field radio with an average range of five miles or so until actual phone lines could be reeled off (above).

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Wire reel can be seen next to field radio. Signal Corps photo.
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A corporal receives firing orders via a field phone for a mortar crew. National Archives.
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When close to or in a combat zone, walkie-talkies with a maximum range of about a mile (under ideal conditions) were used to communicate with units. Signal Corps photo.

It was MUCH less certain for Marines serving on those islands scattered about in the Pacific.  For example, the package may never get there as a ship would be sunk or damaged, would rot in humid cargo holds exceeding 130F, or the Marine just couldn’t be located because they kept moving, especially if in combat.  Communication was a wild card and without it, finding the Marine’s location was difficult.

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Marines ford a river, laying down phone wire on Guadalcanal, 1943. Imagine the luxury of cell phones in combat today. USMC photo.

On these sweltering Pacific islands and unlike Europe, few or no roads were the norm until the engineers came ashore to build them.  Mud greeted the Marines.  Any dirt road became mud rivers and muddy hills made it worse.  When mail did reach their island, the mail drops on many an occasion were truly drops – they were pushed out of cargo planes with parachutes at low altitude:

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In some Pacific battles, mail would be delayed as there were no “front lines” on these islands for some time.  Iwo Jima was a typical one as the enemy for the most part were hidden underground and would pop up out of holes and caves to kill.

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A Marine tries to communicate with HQ using a field phone while hunkering down for dear life in a foxhole. Communication woes made for difficulty in mail delivery.  USMC photo.

 

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A long awaited mail call for Marines on Tinian, 1944. USMC photo.

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“CARE” Packages

Today, we frequently call packages sent either from home or from efforts like Operation Gratitude “CARE packages”.

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A sample WWII Red Cross package, sent to POW’s in German POW camps. Source unknown.

During WWII, the American Red Cross spearheaded monumental efforts (below) to produce Prisoner of War packages.  They were not called “CARE” packages as of yet.

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National Archives

More than 27 million parcels were prepared by over 13,000 volunteers and shipped by the American Red Cross to the International Red Cross Committee in Geneva, Switzerland, for distribution in the POW camps.

These packages may have included:

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The sample contents of a Red Cross Prisoner of War Package No. 10. Source unknown.

Prisoners held by the Germans did better than those in the Pacific.  While many packages were intercepted by Nazis and used for their own use, the Japanese provided almost no cooperation to the International Red Cross efforts.  In some cases, the prisoners in German POW camps would keep only the cigarettes and chocolate then “volunteer” the rest of the food articles to the Nazi camp cooks.

However, the actual term of “CARE Package” did not pertain to these life-saving parcels.  Instead, “an organization called CARE was founded in 1945, when 22 American organizations came together to rush lifesaving CARE Packages to survivors of World War II. Thousands of Americans, including President Harry S. Truman, contributed to the effort. On May 11, 1946, the first 20,000 packages reached the battered port of Le Havre, France.”²

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All in all, Operation Gratitude fulfills both roles: the precious package from home combined with the CARE package concept.  With the economy the way it is and coupled with the unacceptably low budget for our military, I feel these packages do bring smiles to our men and women in uniform.  It tells them that in spite of how the media chooses to report on mostly negative incidents involving them, it shows millions of us support them 100%.

A crisp salute to Operation Gratitude, my daughter Robyn and of course, our men and women wearing our country’s uniforms so proudly and valiantly.

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The GI in the driver’s seat shares his cherished Christmas package from home. National Archives.

 

NOTES:

  1. During WWII, there were about 60,000 trench foot casualties requiring removal from the battlefield.  85% of these casualties were from rifle companies.  Only about 15% made it back to the field.
  2. Source: CARE